One thing that I love about writing bios is that they often don't have bylines. It's a collaborative craft that reaches the public as part of something greater: context, prose, and style in service of the artist's vision.

I'm grateful to work with musicians and be trusted with their stories. A successful bio articulates and honors that vision, while still accomplishing the foundational marketing objectives: to compel, inform, and inspire.

My experience working within both record label teams and editorial positions has allowed me to view the medium from several vantage points, understanding the various destinations these words reach, including press, DSPs, retail, and social media.

In addition to my in-house role as communications director, narrative lead, and press strategist, I’ve also written bios on the freelance side. Clients include Dais Records, Dead Oceans, drink sum wtr, Ghostly International, Mexican Summer, Nettwerk Music Group, RVNG Intl., Touchtheplants, Secret City Records, and Western Vinyl, spanning releases across electronic, hip-hop, indie, jazz, pop, punk, R&B, and beyond. Selected works below: